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martes, 29 de marzo de 2011

Child Development Stages Chart

Each child's progress is individual to them and that different children develop at different rates. A child does not suddenly move from one phase to another, and they do not make progress in all areas at the same time.
However, there are some important 'steps' for each child to take along their own developmental pathway. Below are typical child development stages of children from birth to 6 years.
Remember that the child development stages chart below are averages and some children may reach various child development stages earlier or later than others. Please use this information to help you understand what to expect from your child and any questions about your child's development should be discussed with your child's doctor.

Child Development Stages - Birth to 6 Years


Birth - 12 Months
During this period, young children's physical development is very rapid and they gain increasing control of their muscles. They also develop skills in moving their hands, feet, limbs and head, quickly becoming mobile and able to handle and manipulate objects.
They are learning from the moment of birth. Even before their first words they find out a lot about language by hearing people talking, and are especially interested when it involves themselves and their daily lives.
Sensitive caregiving, which responds to children's growing understanding and emotional needs, helps to build secure attachments to special people such as parents, family members or carers.
Regular, though flexible, routines help young children to gain a sense of order in the world and to anticipate events. A wide variety of experience, which involves all the senses, encourages learning and an interest in the environment.


1 - 2 Years
As children become mobile new opportunities for exploration and exercise open up. A safe and interesting environment, with age-appropriate resources, helps children to develop curiosity, coordination and physical abilities.
This is a time when children can start to learn the beginnings of self-control and how to relate to other people. In this period children can be encouraged to develop their social and mental skills by people to whom they have a positive attachment.
Building on their communication skills, children now begin to develop a sense of self and are more able to express their needs and feelings.
Alongside non-verbal communication children learn a few simple words for everyday things and people. With encouragement and plenty of interaction with carers, children's communication skills grow and their vocabulary expands very rapidly during this period.


2 - 3 Years
Children in this phase are usually full of energy and need careful support to use it well. Growing physical strengths and skills mean that children need active times for exercise, and quiet times for calmer activities.
Playing with other children is an important new area for learning. This helps children to better understand other people's thoughts and feelings, and to learn how to cooperate with others.
Exploration and simple self-help builds a sense of self-confidence. Children are also learning about boundaries and how to handle frustration.
Play with toys that come apart and fit together encourages problem solving and simple planning. Pretend play helps children to learn about a range of possibilities. Adults are an important source of security and comfort.


3 - 4 Years
Children's fine motor skills continue to develop and they enjoy making marks, using a variety of materials, looking at picture books and listening to stories, important steps in literacy.
Self-help and independence soon emerge if adults support and encourage children in areas such as eating, dressing and toileting. Praise for new achievements helps to build their self-esteem. In this phase, children's language is developing rapidly and many are beginning to put sentences together.
Joining in conversations with children is an important way for children to learn new things and to begin to think about past, present and future.
Developing physical skills mean that children can now usually walk, climb and run, and join in active play with other children. This is an important time for learning about dangers and safe limits.


4 - 5 Years
An increased interest in joint play such as make-believe, construction and games helps children to learn the important social skills of sharing and cooperating.
Children also learn more about helping adults in everyday activities and finding a balance between independence and complying with the wishes of others. Children still need the comfort and security of special people.
Close, warm relationships with carers form the basis for much learning, such as encouraging children to make healthy choices in food and exercise.
At this stage children are becoming more aware of their place in a community. Literacy and numeracy can develop rapidly with the support of a wide range of interesting materials and activities.
Children's language is now much more complex, as many become adept at using longer sentences. Conversations with adults become a more important source of information, guidance and reassurance.


5 - 6 Years
During this period children are now building a stronger sense of their own identity and their place in a wider world.
Children are learning to recognise the importance of social rules and customs, to show understanding and tolerance of others, and to learn how to be more controlled in their own behaviour.
Learning and playing in small groups helps to foster the development of social skills. Children now become better able to plan and undertake more challenging activities with a wider range of materials for making and doing.
In this phase children learn effectively in shared activities with more able peers and adults. Literacy and problem solving, reasoning and numeracy skills continue to develop.
Children's developing understanding of cause and effect is encouraged by the introduction of a wider variety of equipment, media and technologies.

Fun and Games

Games are a fun way to play with the children on a level where you too can be an active participant. These games don’t require any props so can be played on short notice.

Hide and seek

Depending on the age group will depend on what you are counting too. Generally it is between ten and twenty. During this time, the other children hide. When the child has finished counting they call out, “Ready or not! Here I come!” and goes off in search of the other children. The first person found is the next person to count in the next round.
This is a fun game that can be played with three year olds and up, generally when playing with three year olds, I have hidden with them {in a nannying context rather than long day care setting}. To make it more interesting for the older children, by playing in the dark and using torches is a great modification! I have played this with children from around five, however again this was in a nannying context and was with the youngest child throughout.

On the River, On the Bank

Using chalk/rope/string/tape/etc to mark a line down the carpet and have the children stand on one side of the line. If they are standing closest to you {in front of the line} that is the bank, if they are standing over the line {further away from you} that is the river. You then call out, ‘On the river’ or ‘On the bank’ and the children jump back and forth. This can be played with children four years and up.


Port and Starboard

One player is the captain, the other children follow the captain’s orders {the children can get “out” if they miss an order but this is optional}.
The Orders are -
To the ship: run to the captain’s right
To the island: run to the captain’s left
Hit the deck: lay down on your stomach (or if players don’t want to get dirty, they can crouch down)
Attention on deck: salute and yell, “Aye, aye captain!” – must stay in that position until captain yells, “At ease!” (ie even if the captain gives a different order such as “to the ship” the crew must continue to remain at attention until told “at ease”)
Scrub the deck: everyone on their knees scrubbing
Captain’s Quarters: everyone ran towards the captain.
Sick turtle: Everyone falls onto their backs and waves hands and feet in the air.
Bow: Run to the front of the boat
Stern: Run to the back
Port: Run to the left side of the boat
Starboard: Run to the right side of the boat.
When playing this game, depending on the ages of your children will significantly depend on the number of orders you have. Also, keep in mind if this game is played over a period of time, the orders will become easier to remember. {There are a lot more orders but are mainly for large groups}. The game can be played inside the house or out in the backyard.
If playing with children of four years, keep instructions simple using four key orders and slowly building up depending on age group and setting.

Statues/Freeze

The children dance to the music whilst it is playing and when the music stops, they freeze. Children from four years or even younger can enjoy this game, but the concept of stopping and “freezing” may still need a little more practice.


We’re Going on a Bear Hunt

Re-enacting this favourite will be a great way to spend the afternoon. Use the story and walk around with your children through the grass and the mud {pretend} and make it a fun experience. You could also make props using large cardboard and keep so that it can be used repeatedly. Once finished the children could then draw what they saw on their walk.
Something fun for children of all ages, but around three would be a good age to introduce and could easily be down with a mixed age group.
http://hopeexists.files.wordpress.com/2010/12/hide-and-seek-pic.jpg

Educational Psychology

http://w1.campusexplorer.com/media/180x180/general-education-schools-find-general-education-degrees-programs-colleges-and-universities-635C7EF1.jpg

Educational psychology

is the study of how humans learn in educational settings, the effectiveness of educational interventions, the psychology of teaching, and the social psychology of schools as organizations. Educational psychology is concerned with how students learn and develop, often focusing on subgroups such as gifted children and those subject to specific disabilities. Although the terms "educational psychology" and "school psychology" are often used interchangeably, researchers and theorists are likely to be identified in the US and Canada as educational psychologists, whereas practitioners in schools or school-related settings are identified as school psychologists. This distinction is however not made in the UK, where the generic term for practitioners is "educational psychologist."

Educational psychology can in part be understood through its relationship with other disciplines. It is informed primarily by psychology, bearing a relationship to that discipline analogous to the relationship between medicine and biology. Educational psychology in turn informs a wide range of specialities within educational studies, including instructional design, educational technology, curriculum development, organizational learning, special education and classroom management. Educational psychology both draws from and contributes to cognitive science and the learning sciences. In universities, departments of educational psychology are usually housed within faculties of education, possibly accounting for the lack of representation of educational psychology content in introductory psychology textbooks.

General Didactics

Concept: Education 


Education is the progressive, systematic and natural development of all cognitive powers and abilities, where conducts are modified to give way to enhanced ones, resulting in intellectual and personal maturity of the individual. It is a lifelong process through which values, skills and knowledge are acquired from every day experience. Etymologically, educare means "to guide" and educcere means to "bring out to light". Education is thus the process of guiding the student to the improvement of his or her being. 


Concept: Didactics 


The word is derived from the greek didaskein (to teach) and tekne (art). The concept is both a science (as it involves research and experimentation) and an art (as it makes use of creativity to adapt to specific circumstances). Didactics is a discipline oriented mainly towards practicality, and it studies the teaching-learning process and it approaches it systematically.
For its study, it can be divided as follows:

    General Didactics 

    Involving the basic norms of group-organization and personal orientation.

    Special Didactics 

    Studies didactic norms

    Differential Didactics 

    Studies and determines didactic norms in reference to context and particular                       circumstances

Thanks to advances in educational research, there have been found various forms today to transmit knowledge. The study of didactics has given way to the development of strategies, a series of methods, techniques and procedures affecting the teaching process. These strategies should be used by teachers with the aim of targeting students in the appropriate context (whether is individually or as part of a group) and in accord with their maturity level. In this way, the objective of transferring knowledge that can result in the development of superior skills by the students can be more readily achieved.

An example of how Didactics is an active participant and shaping force in the teaching process is the modification of everyday concepts deeply involved in the process of education.


This knol is still under construction and we welcome collaborators.

Top 5 Color Mixing Tips

Color Mixing Tip No 1: Add Dark to Light
It takes only a little of a dark color to change a light color, but it takes considerably more of a light color to change a dark one. So, for example, always add blue to white to darken it, rather than trying to lighten the blue by adding white.


Color Mixing Tip No 2: Add Opaque to Transparent
The same applies when mixing an opaque color and a transparent one. Add a little of the opaque color to the transparent one, rather than the other way round. The opaque color has a far greater strength or influence than a transparent color.


Color Mixing Tip No 3: Stick to Single Pigments
For the brightest, most intense results, check that the two colors you are mixing are each made from one
pigment only, so you’re mixing only two pigments. Artist’s quality paints normally list the pigment(s) in a color on the tube's label.

Color Mixing Tip No 4: Mixing the Perfect Browns and Greys
Mix ‘ideal’ browns and grays that harmonize with a painting by creating them from complementary colors (red/green; yellow/purple; blue/orange) in the palette you’ve used in that painting, rather than colors you haven’t used. Varying the proportions of each color will create quite a range.


Color Mixing Tip No 5: Don’t Overmix
If, when you mix two colors together on a palette, you don’t mix and mix until they’re totally, utterly, definitely combined, but stop a little bit beforehand, you get a far more interesting result when you put the mixed color down on paper or canvas. The result is a color that’s intriguing, varies slightly across the area you’ve applied it, not flat and consistent.

Color Theory Lesson: Using Black and White

Color Theory Lesson: Using Black and White

Color Theory Lesson: Using Black and White



While it may seem logical that to lighten a color you add white to it and that to darken it you add black, this is an oversimplification. White reduces brightness so although it makes a color lighter, it removes its vibrancy. Black doesn't so much add darkness as create murkiness (though there are instances in which black is uniquely useful, such as the range of greens it can produce when mixed with yellow!).

Why Can't I Add White to Lighten a Color?

Adding white to a color produces a tint of that color, makes a transparent color (such as ultramarine) opaque, and cools the color. This is most noticeable with red, which changes from a warm red into a cool pink when you use titanium white. You can add white to lighten a color, but because this removes the vibrancy of a color you'll end up with a washed-out picture if you use white to lighten all you colors. Rather develop your color mixing skills to produce hues of varying intensity. For example, to lighten a red, add some yellow instead than white (or try zinc white). Watercolor paints are, of course, transparent, so to lighten you simply add more water to paint to let the white of the paper shine through.

Why Can't I Add Black to Darken a Color?

Black tends to dirty colors rather than simply darken them. Of the most common blacks, Mars black is the blackest and is very opaque, ivory black has a brown undertone, and lamp black a blue undertone.

Color Theory Lesson: Complementary Colors

Color Theory Lesson: Complementary Colors

Color Theory Lesson: Complementary Colors

The complementary color of a primary color (red, blue, or yellow) is the color you get by mixing the other two primary colors. So the complementary color of red is green, of blue is orange, and of yellow is purple.

What About Secondary Colors?

The complementary of a secondary color is the primary color that wasn't used to make it. So the complementary color of green is red, of orange is blue, and of purple is yellow.

Why are Complementary Colors Important in Color Theory?

When placed next to each other, complementary colors make each other appear brighter, more intense. The shadow of an object will also contain its complementary color, for example the shadow of a green apple will contain some red.

How am I Going to Remember This?

The color triangle as (shown above) makes it easy to remember: the three primary colors are in the corners. The color you get by mixing two primaries is between them (red and yellow make orange; red and blue make purple; yellow and blue make green). The complementary color of a primary color is the color opposite it (green is the complementary of red, orange for blue, and purple for yellow).
Print out Color Mixing Triangle Worksheet and paint it in. It may seem like a simple exercise, hardly worth spending time on, but it's the first step in a fundamental painting skill -- successful color mixing. Put it up on the wall where you can see it at a glance until you've internalized which colors are primaries, secondaries, tertiaries, and complementaries.

What Happens if You Mix Complementary Colors?

If you mix complementary colors with one another, you get a tertiary color, particularly browns (rather than grays).

Color Theory Lesson: Tertiary Colors

Color Theory Lesson: Tertiary Colors

Color Theory Lesson: Tertiary Colors


Browns and grays contain all three primary colors. They're created by mixing either all three primary colors or a primary and secondary color (secondary colors of course being made from two primaries). By varying the proportions of the colors you're mixing, you create the different tertiary colors.

What's the Easiest Way to Mix a Brown?

Mix a primary color with its complementary color. So add orange to blue, purple to yellow, or green to red. Each of these makes a different brown, so once again make up a color chart to give you a quick reference to refer to.

What's the Easiest Way to Mix a Gray?

Mix some orange (or yellow and red) with a blue then add some white. You'll always want more blue than orange, but experiment with the amount of white you use. You can also mix blue with an earth color, such as raw umber or burnt sienna. Of course with watercolor you don't have white paint; to lighten a gray you add more water instead of white, but remember the gray will be lighter when it dries.

Why Do My Tertiary Colors Keep Turning Out Muddy?

If you mix too many colors together, you'll get mud. If your gray or brown isn't coming out the way you want it to, rather start again than add more color in the hope it'll work.

Color Theory Lesson: Secondary Colors

Color Theory Lesson: Secondary Colors

Color Theory Secondary Colors

Secondary colors are made by mixing two primary colors together: red and yellow to get orange, yellow and blue to get green, or red and blue to get purple. The secondary color you get depends on the proportions in which you mix the two primaries. If you mix three primary colors together, you get a tertiary color. Secondary colors are made by mixing two primary colors together. Red and yellow make orange; red and blue make purple; yellow and blue make green.

How Do I Know What Colors My Primaries Will Produce?

Red and yellow always make some kind of orange, yellow and blue a green, and blue and red a purple. The actual color you get depends on which primary you're using (for example whether it's Prussian blue or ultramarine you're mixing with cadmium red) and the proportions in which you mix the two primaries. Paint a color chart where you record which two colors you mixed and the (approximate) proportions of each. This will provide you with a ready reference until you get to the stage when you instinctively know what you'll get.

How Much of Each Primary Color Do I Use?

The proportions in which you mix the two primaries is important. If you add more of one than the other, the secondary color will reflect this. For example, if you add more red than yellow, you end up with a strong, reddish orange; if you add more yellow than red, you produce a yellowish orange. Experiment with all the colors you have - and keep a record of what you've done.

miércoles, 23 de marzo de 2011

At One School...

Some kindergarten parents at Public School 101, a graceful brick castle in Forest Hills, Queens, wanted more free play time for their children; so they decided to do something about it.

Gone were the play kitchens, sand and water tables, and dress-up areas; half-days were now full days. Instead, there were whiteboards, and the kindergartners, in classes of up to 27, practiced reading and math on work sheets on desks at P.S. 101, also known as the School in the Gardens.

Play came in the form of “choice time,” a roughly 30-minute afternoon period during which each child chose what blocks or toys in the classroom to work with, and at recess, which was often truncated by the time it took for every child to calm down and form an orderly line back to class.

About a month ago, about half of the kindergarten parents signed a letter to the principal, Valerie Capitulo-Saide, asking for more unstructured time in the school day, an extra recess period and better procedures in recess. Ms. Capitulo-Saide gave them one extra gym period a week and no longer required students to form perfect lines at recess, one parent said.
P.S. 101 “is a high performing school,” Ms. Capitulo-Saide said in an e-mail. “Our collaborative decision-making process includes input from parents, teachers and administrators. As a result of our collaboration, we have added 30 minutes of additional physical education instruction per week for kindergarten students while maintaining strong instruction.”



Time and space for imaginative play in city schools seem to be shrinking as the academic emphasis on reading and math grows, said Clara Hemphill, who researches the city’s schools. “Across the city, we’ve seen dress-up areas taken away and replaced with computer desks,” Ms. Hemphill said. That has brought a quiet backlash from some parents.

Some parents at P.S. 101 said they wanted to see a greater emphasis on play on days when children cannot go outside; now, they are sometimes plopped down to watch television cartoons. “We wanted something like board games or Simon Says, but I think the staffing was too much to organize,” Donna Chin, a kindergarten parent, said.

The school also organized an effort to win money from an online competition to fix up a disused outdoor area into a garden it is calling a “kinder” (rhymes with minder) garden. The school is asking for $25,000; the deadline to vote is Jan. 31. The goal is to use the garden as an alternative learning site that creates an enriching outdoor learning environment instead of an all-day confined classroom model.

Early childhood homework is another issue. Each Monday, the kindergartners get a packet of worksheets they are supposed to complete by Friday. There are generally 10 to 12 reading, writing and math worksheets each week. Parents are also asked to read to their children.

Victoria Zunitch, who recently withdrew her daughter from P.S. 101 to send her to a private school, said kindergarten homework ended up being parent homework because the children had trouble working independently.

The School in the Gardens has a rigorous academic curriculum, and it is the sort of place where homework assignments by third grade can stretch to an hour.
About half of the parents support the idea of kindergarten homework, and about half do not, said one parent, Norberto Maio. Mr. Maio said his son, Francisco, generally came home tired, making homework difficult.

“I don’t think it’s appropriate for a 5-year-old,” Mr. Maio said. “At least not on a regular basis. They do have, like, 20 more years to do homework.”
Ms. Chin, the mother of 5-year-old Kristin, had no complaints about the homework. “It’s manageable,” she said. “They have to take the standardized tests soon.”

Asma Khan, another parent at P.S. 101, said she saw both positives and negatives to a kindergarten focused on academics, especially when a talented teacher is getting results. Her daughter, Zainab, 4, has already learned how to read and would sit around writing all day if she could, Ms. Khan said.

Zainab, for her part, said she liked school just as it was: no more play needed.
And homework? No problem.
“I love homework,” she said. “I write my numbers and my A B C’s.”

The ten Building Blocks for learning witn cell phones


by George Engel, Rob Griffith, Scott Newcomb, Lisa Nielsen, Jason Suter, and Willyn Webb

Innovative educators George Engel, Rob Griffith, Scott Newcomb, Lisa Nielsen, Jason Suter, and Willyn Webb know that when it comes to preparing students for success in the 21st century, you not only have to think outside the ban, but also may have to dive in head first and break it. The following is a collection of ideas each teacher implemented to successfully break and/or work within the ban where they teach in an effort to empower students with the freedom to use their cell phones as personal learning devices.

The Ten Building Blocks for Learning with Cell Phones
1) Build RelationshipsBreaking the ban starts with the building of relationships with key constituents. Here is advice on how to get started.

  • with self:
    • Realize that leadership begins with example. There are those who are threatened by transitions and change. To break the ban, you will need to present yourself in ways that do not make your colleagues uncomfortable about their instructional methodology
  • with students:
    • Let students know you care about making learning fun and relevant and ask them if they’d like the option to be able to do work using their cell phones. Most likely, the answer will be YES! If they are interested provide them with homework options that enable them to use cell phones.
  • with parents and guardians:
    • Start with the parents by using the cell phone as a tool to bridge the home-school connection. You can have a “Text-of-the-Day” to update parents on what’s happening in the class. You can text parents individually to share information about their child. You can poll parents with Poll Everywhere to get their input and show their opinions matter. You can read this article for more ideas 6 Ways to Use Cell Phones to Strengthen the Home-School Connection . Once parents are on your side and see the value personally, your job convincing other stakeholders becomes much easier.
  • with colleagues:
    • Try to establish yourself as an innovative leader when it comes to empowering students and teachers with technology. A focus on student centered learning is key. At grade or subject meetings, offer to support teachers in harnessing the power of cell phones for themselves, and if they’re ready, with their students. Get them started and model for them. Perhaps have a polling question in a meeting or gather input with a Wiffiti board.
  • with administration:
    • Start by working within the system to bring about technological change. Become known as someone that works with what your school has on hand and is flexible to administrative needs. When the opportunity presents itself, respectfully present the need for change and recommendations to update your school’s technological teaching processes.
  • with district:
    • Become known as a tech leader. Offer to participate in school and district-wide technology decisions. Offer to collaborate with the district technology coordinator and others to help establish a new acceptable use policy (AUP) that will allow the use of cell phones as a learning tool. (The AUP is a critical step toward technological change, many districts are still working with AUP’s developed in the late nineties.) Keep in mind that in most cases, what is acceptable in the physical world applies to the online world as well.
2) Embrace ResearchIn today’s educational climate providing evidence that the work you are doing is aligned to research and standards is crucial! Here are some ways to do this.
3) Plan Activities
  • Planning is key. Create and develop a plan, lessons, and activities that you can share with those who care and want to know what you have in store for the use of cell phones in the classroom.
  • Develop a well thought-out plan for embedding cell phones into instruction. Invite your students to partner with you in developing ideas to meet learning goals using cell phones. This plan can be shared on your class and/or school website as well as distributed to parents, guardians, and school community members.
  • Develop a well crafted outline and description of lessons and activities that could be used for learning with a cell phone.
  • Invite administrators and policy makers to observe the lessons. If possible, involve them as students in the class so they can actually participate and experience first-hand an activity that promotes student engagement and achievement.
4) Pilot ProgramBe willing to start small, demonstrate success and work from there.
  • Meet with those key in your school and district decision making to map out an acceptable pilot program i.e. district technology coordinator, building principal and assistant principals.
  • Ensure that the pilot program includes all teachers interested in participating.
  • Make sure to invite administrators to observe and participate when you are incorporating cell phones into the curriculum. This can be one of the fastest ways to build relationships and get key stakeholders on board.
  • Film videos of what you and your students are doing. Publish on online spaces to celebrate the work your students are doing.
5) Access for AllAnyone interested in embedding cell phones into the curriculum has heard the argument, but what about the students who don’t have a phone??? Well, you do the same thing as you do when your class doesn’t have enough textbooks. You don’t say, I guess we can’t do our work. We find workarounds. Partner or group students. Have some extras on hand for those who don’t have. Reach out to the community for support, but don’t use that as an excuse to not innovate instruction.
6) Partnering with Students to Use Cells for LearningWhen using technology for learning, Marc Prensky’s concept of partnering with students fits in well. Bring students into the conversation and ask them about ways they can meet learning goals in life, at school, and at home.

A template might look like this:

Use Cell Phones for Real Life
Use Cell Phones for Learning Outside of School
Use Cell Phones In For Learning In Class

  • Sample from class whose student’s partnered with their teacher to develop ways they could use their phones for learning.
Invite your students to partner with you around a conversation of cell phones and learning. Capture their answers, then share these answers to see if there are any other ideas students may want to add. The ideas can be posted on the classroom website, blog, or wiki, with credit given to the students who are able to take more ownership of how they learn both at school and independently on their own.
7) Parent/Guardian PermissionBefore we use cells with students, we must have parent approval. By the time you ask for it, you’ve hopefully already begun some home school connection strategies with cell phones so you are on your way.

8) Acceptable useJust like any other classroom tool, teachers need to work with students to establish acceptable use policies. In some classrooms the teacher just explains how the general policies apply to the use of cell phones, in others they create a new policy, in some schools the students help create the policies, and in some classrooms they invite parental input as well. Collecting everyone’s thoughts on acceptable use is easy when you use cell phone tools like Poll Everywhere and Wiffiti to do so.
9) Cell Phone Etiquette
Adults often complain that cell phones are a distraction in class, but how much time have they really devoted to discussing proper etiquette? This can be woven into a general discussion around behavior and etiquette in different situations. Inviting students into the conversation about appropriate etiquette and what to say to those not exhibiting polite behavior usually works better than telling students how to best behave.
10) Classroom Management
As with the use of any technology in the classroom, when using cell phones in the classroom you must have classroom management procedures in place. The nice thing, however, about cell phones is that you don’t have to worry about distribution, collection, storage, imaging , and charging of devices. Consider working with your students to develop this plan, you may find that they build a strong, comprehensive policy of which they will take ownership and be more likely to follow. Once developed, the plan should be posted in advance of using cell phones in the classroom.